You have already completed the Test before. Hence you can not start it again.
Test is loading...
You must sign in or sign up to start the Test.
You have to finish following quiz, to start this Test:
Your results are here!! for" Official 1 (Special 2) "
0 of 66 questions answered correctly
Your time:
Time has elapsed
Your Final Score is : 0
You have attempted : 0
Number of Correct Questions : 0 and scored 0
Number of Incorrect Questions : 0 and Negative marks 0
Not categorized
You have attempted: 0
Number of Correct Questions: 0 and scored 0
Number of Incorrect Questions: 0 and Negative marks 0
1
2
3
4
5
6
7
8
9
10
11
12
13
14
15
16
17
18
19
20
21
22
23
24
25
26
27
28
29
30
31
32
33
34
35
36
37
38
39
40
41
42
43
44
45
46
47
48
49
50
51
52
53
54
55
56
57
58
59
60
61
62
63
64
65
66
Answered
Review
Question 1 of 66
1. Question
Lecture1
What is the lecture mainly about?
Correct
Incorrect
Unattempted
Question 2 of 66
2. Question
2. Not long ago, the Sahara had a different climate. What evidence does the professor mention to support this:
1. Ancient pollen
2. Bones from large animals
3. Rock paintings
4. Agriculture in ancient Egypt
5. Underground water
Correct
Incorrect
Unattempted
Question 3 of 66
3. Question
3. In the lecture, what do the Ice Age and the creation of the Sahara Desert both illustrate about past climate changes?
1. that some climate changes benefited the development of civilization
2. that some climate changes were not caused by human activity.
3. that some climate change were caused by a decrease of moisture in the atmosphere
4. that some climate changes were caused by changes in Earth’s motion and position
Correct
Incorrect
Unattempted
Question 4 of 66
4. Question
What started the runway effect that led to the Sahara area of North Africa becoming a desert
Correct
Incorrect
Unattempted
Question 5 of 66
5. Question
The professor mentions a theory that people migrating from the Sahara were important to the development of the Egyptian civilization. Which sentence best describes the professor’s attitude toward this theory?
Correct
Incorrect
Unattempted
Question 6 of 66
6. Question
Why does the professor say this?
Correct
Incorrect
Unattempted
Question 7 of 66
7. Question
Lecture 2
Why does the man go to the computer center?
Correct
Incorrect
Unattempted
Question 8 of 66
8. Question
How did the man probably feel when he first arrived at the computer center?
Correct
Incorrect
Unattempted
Question 9 of 66
9. Question
3.What does the woman imply about the book she bought for her father.
Correct
Incorrect
Unattempted
Question 10 of 66
10. Question
4.What does the woman imply about the student assistants?
Correct
Incorrect
Unattempted
Question 11 of 66
11. Question
5.What will the woman do to help the man?
Correct
Incorrect
Unattempted
Question 12 of 66
12. Question
Lecture 3
1.What is the lecture mainly about?
Correct
Incorrect
Unattempted
Question 13 of 66
13. Question
2.According to the professor, why do many people want imports to be regulated?
Correct
Incorrect
Unattempted
Question 14 of 66
14. Question
3.According to the professor, what is the negative result of limiting imports?
Correct
Incorrect
Unattempted
Question 15 of 66
15. Question
What does the professor imply about the sugar industry in Florida?
Correct
Incorrect
Unattempted
Question 16 of 66
16. Question
What does the professor imply about the effect of increasing imports?
Correct
Incorrect
Unattempted
Question 17 of 66
17. Question
What is the professor’s opinion of retraining and relocating unemployed people,
Correct
Incorrect
Unattempted
Question 18 of 66
18. Question
Lecture 4
1.What is the lecture mainly about?
Correct
Incorrect
Unattempted
Question 19 of 66
19. Question
According to the professor, what topics are newspaper readers most interested in? Choose 2 answers.
Correct
Incorrect
Unattempted
Question 20 of 66
20. Question
According to the professor, how can newspapers attract readers to serious stories?
Correct
Incorrect
Unattempted
Question 21 of 66
21. Question
4.What does the professor imply about the use of colors in newspapers?
Correct
Incorrect
Unattempted
Question 22 of 66
22. Question
What does the student imply when he says this?
Correct
Incorrect
Unattempted
Question 23 of 66
23. Question
What does the professor imply when he says this:
Correct
Incorrect
Unattempted
Question 24 of 66
24. Question
Lecture 5
What does the professor mainly discuss?
Correct
Incorrect
Unattempted
Question 25 of 66
25. Question
What happened during the agricultural expansion in the southern Great Plains?
Correct
Incorrect
Unattempted
Question 26 of 66
26. Question
What point does the professor make when he mentions that good topsoil takes thousands of years to form?
Correct
Incorrect
Unattempted
Question 27 of 66
27. Question
Why does the professor mention that drought is often blamed as the cause of the Dust Bowl?
Correct
Incorrect
Unattempted
Question 28 of 66
28. Question
According to the professor, what did the Soil Erosion Act do to improve soil conservation? Choose 2 answers.
Correct
Incorrect
Unattempted
Question 29 of 66
29. Question
Listen to Track 91.
Correct
Incorrect
Unattempted
Question 30 of 66
30. Question
Lecture 6
What is the lecture mainly about?
Correct
Incorrect
Unattempted
Question 31 of 66
31. Question
According to the lecture, how did distant galaxies appear to eighteenth-century astronomers?
Correct
Incorrect
Unattempted
Question 32 of 66
32. Question
What could astronomers better estimate once they knew what nebulae really were?
Correct
Incorrect
Unattempted
Question 33 of 66
33. Question
According to the professor, what did a 1920s telescope allow astronomers to do for the first time?
Correct
Incorrect
Unattempted
Question 34 of 66
34. Question
What did eighteenth-century astronomers have in common with astronomers today?
Correct
Incorrect
Unattempted
Question 35 of 66
35. Question
What can be inferred about the student when he says this?
Correct
Incorrect
Unattempted
Question 36 of 66
36. Question
Lecture 7
What is the lecture mainly about?
Correct
Incorrect
Unattempted
Question 37 of 66
37. Question
According to the professor, what did ancient Greek philosophers value in a work of art?
Correct
Incorrect
Unattempted
Question 38 of 66
38. Question
Why does the professor talk about personal taste?
Correct
Incorrect
Unattempted
Question 39 of 66
39. Question
Why does the professor mention wheels and spheres?
Correct
Incorrect
Unattempted
Question 40 of 66
40. Question
5.What does the professor imply when he says this?
Correct
Incorrect
Unattempted
Question 41 of 66
41. Question
Lecture 6
What is the lecture mainly about?
Correct
Incorrect
Narrator: Listen to part of a lecture in a United States government class.
Professor: OK, last time we were talking about government support for the arts. Who can sum up some of the main points? Frank?
Frank: Well, I guess there wasn’t really any, you know, official government support for the arts until the twentieth century. But the first attempt the United States government made to, you know, to support the arts was the Federal Art Project.
Professor: Right, so what can you say about the project?
Frank: Um…it was started during the Depression, um…in the 1930s to employ out of-work artists
Professor: So was it successful? Janet? What do you say?
Janet: Yeah, sure, it was successful. I mean, for one thing, the project established a lot of…uh like community art centers and galleries and places like rural areas where people hadn’t really had access to the arts.
Professor: Right.
Frank: Yeah. But didn’t the government end up wasting a lot of money for art that wasn’t even very good?
Professor: Uh…some people might say that. But wasn’t the primary objective of the Federal Art Project to provide jobs?
Frank: That’s true. I mean…it did provide jobs for thousands of unemployed artists.
Professor: Right. But then when the United States became involved in the Second World War, unemployment was down and it seems that these programs weren’t really necessary any longer. So, moving on, we don’t actually see any govern…well any real government involvement in the arts again until the early 1960s, when President Kennedy and other politicians started to push for major funding to support and promote the arts. It was felt by a number of politicians that …well that the government had a responsibility to support the arts as sort of… oh, what can we say?…the the soul…or spirit of the country. The idea was that there be a federal subsidy…um…uh…financial assistance to artists and artistic or cultural institutions. And for just those reasons, in 1965, the National Endowment for the Arts was created. So it was through the NEA, the National Endowment for the Arts, um…that the arts would develop, would be promoted throughout the nation. And then individual states throughout the country started to establish their own state arts councils to help support the arts. There was kind of uh…cultural explosion. And by the mid-1970s, by 1974 I think, all fifty states had their own arts agencies, their own state arts councils that work with the federal government with corporations, artists, performers, you name it.
Frank: Did you just say corporations? How are they involved?
Professor: Well, you see, corporations aren’t always altruistic. They might not support the arts unless…well, unless the government made it attractive for them to do so, by offering corporations tax incentives to support the arts, that is, by letting corporations pay less in taxes if they were patrons of the arts. Um, the Kennedy Centre in Washington D.C. , you may uh…maybe you’ve been there, or Lincoln Centre in New York. Both of these were built with substantial financial support from corporations. And the Kennedy and Lincoln center’s aren’t the only examples. Many of your cultural establishments in the United States will have a plaque somewhere acknowledging the support – the money they received from whatever corporation. Oh, yes, Janet?
Janet: But aren’t there a lot of people who don’t think it’s the government’s role to support the arts?
Professor: Well, as a matter of fact, a lot of politicians who did not believe in government support for the arts, they wanted to do away with the agency entirely, for that very reason, to get rid of governmental support. But they only succeeded in taking away about half the annual budget. And as far as the public goes, well…there are about as many individuals who disagree with the government support as there are those who agree. In fact, with artists in particular, you have lots of artists who support and who have benefited from this agency, although it seems that just as many artists suppose a government agency being involved in the arts, for many different reasons, reasons like they don’t want the government to control what they create. In other words, the arguments both for and against government funding of the arts are as many and, and as varied as the individual styles of the artists who hold them.
Unattempted
Narrator: Listen to part of a lecture in a United States government class.
Professor: OK, last time we were talking about government support for the arts. Who can sum up some of the main points? Frank?
Frank: Well, I guess there wasn’t really any, you know, official government support for the arts until the twentieth century. But the first attempt the United States government made to, you know, to support the arts was the Federal Art Project.
Professor: Right, so what can you say about the project?
Frank: Um…it was started during the Depression, um…in the 1930s to employ out of-work artists
Professor: So was it successful? Janet? What do you say?
Janet: Yeah, sure, it was successful. I mean, for one thing, the project established a lot of…uh like community art centers and galleries and places like rural areas where people hadn’t really had access to the arts.
Professor: Right.
Frank: Yeah. But didn’t the government end up wasting a lot of money for art that wasn’t even very good?
Professor: Uh…some people might say that. But wasn’t the primary objective of the Federal Art Project to provide jobs?
Frank: That’s true. I mean…it did provide jobs for thousands of unemployed artists.
Professor: Right. But then when the United States became involved in the Second World War, unemployment was down and it seems that these programs weren’t really necessary any longer. So, moving on, we don’t actually see any govern…well any real government involvement in the arts again until the early 1960s, when President Kennedy and other politicians started to push for major funding to support and promote the arts. It was felt by a number of politicians that …well that the government had a responsibility to support the arts as sort of… oh, what can we say?…the the soul…or spirit of the country. The idea was that there be a federal subsidy…um…uh…financial assistance to artists and artistic or cultural institutions. And for just those reasons, in 1965, the National Endowment for the Arts was created. So it was through the NEA, the National Endowment for the Arts, um…that the arts would develop, would be promoted throughout the nation. And then individual states throughout the country started to establish their own state arts councils to help support the arts. There was kind of uh…cultural explosion. And by the mid-1970s, by 1974 I think, all fifty states had their own arts agencies, their own state arts councils that work with the federal government with corporations, artists, performers, you name it.
Frank: Did you just say corporations? How are they involved?
Professor: Well, you see, corporations aren’t always altruistic. They might not support the arts unless…well, unless the government made it attractive for them to do so, by offering corporations tax incentives to support the arts, that is, by letting corporations pay less in taxes if they were patrons of the arts. Um, the Kennedy Centre in Washington D.C. , you may uh…maybe you’ve been there, or Lincoln Centre in New York. Both of these were built with substantial financial support from corporations. And the Kennedy and Lincoln center’s aren’t the only examples. Many of your cultural establishments in the United States will have a plaque somewhere acknowledging the support – the money they received from whatever corporation. Oh, yes, Janet?
Janet: But aren’t there a lot of people who don’t think it’s the government’s role to support the arts?
Professor: Well, as a matter of fact, a lot of politicians who did not believe in government support for the arts, they wanted to do away with the agency entirely, for that very reason, to get rid of governmental support. But they only succeeded in taking away about half the annual budget. And as far as the public goes, well…there are about as many individuals who disagree with the government support as there are those who agree. In fact, with artists in particular, you have lots of artists who support and who have benefited from this agency, although it seems that just as many artists suppose a government agency being involved in the arts, for many different reasons, reasons like they don’t want the government to control what they create. In other words, the arguments both for and against government funding of the arts are as many and, and as varied as the individual styles of the artists who hold them.
Question 42 of 66
42. Question
According to the talk, in what two ways was the Federal Art Project successful? Click on 2 answers.
Correct
Incorrect
Unattempted
Question 43 of 66
43. Question
Why does the professor mention the Kennedy Center and Lincoln Center?
Correct
Incorrect
Unattempted
Question 44 of 66
44. Question
What does the professor say about artists’ opinions of government support for the arts?
Correct
Incorrect
Unattempted
Question 45 of 66
45. Question
What does the professor imply when she says this:
Correct
Incorrect
Unattempted
Question 46 of 66
46. Question
Lecture 3
What is the main purpose of the lecture?
Correct
Incorrect
Unattempted
Question 47 of 66
47. Question
On what basis did Emerson criticize the people of his time?
Correct
Incorrect
Unattempted
Question 48 of 66
48. Question
What does Emerson say about the past?
Correct
Incorrect
Unattempted
Question 49 of 66
49. Question
What point does the professor make when he mentions a ship’s path?
Correct
Incorrect
Unattempted
Question 50 of 66
50. Question
What does the professor imply about himself when he recounts some life experiences he had before becoming a literature professor? Click on 2 answers.
Correct
Incorrect
Unattempted
Question 51 of 66
51. Question
Why does the professor say this:
Correct
Incorrect
Unattempted
Question 52 of 66
52. Question
Lecture 5
1) What is the lecture mainly about?
Correct
Incorrect
Unattempted
Question 53 of 66
53. Question
2) What does the professor mean when he says that folktales are communal?
Correct
Incorrect
Unattempted
Question 54 of 66
54. Question
3) Why does the professor clarify the concept of a “fairy tale”?
Correct
Incorrect
Unattempted
Question 55 of 66
55. Question
4) What does the professor say about the setting of fairy tales?
Correct
Incorrect
Unattempted
Question 56 of 66
56. Question
5) Why does the professor say this :
Correct
Incorrect
Unattempted
Question 57 of 66
57. Question
Lecture 10 ( مهرماه 98)
1. What is the main purpose of the lecture?
Correct
Incorrect
Unattempted
Question 58 of 66
58. Question
2. Why does the professor mention the Western-Heritage Model used in her high school?
Correct
Incorrect
Unattempted
Question 59 of 66
59. Question
3. According to the professor, what is an advantage of the Different-Cultures Model?
Correct
Incorrect
Unattempted
Question 60 of 66
60. Question
4. What aspect of Islamic civilization will the professor likely discuss in the course?
Correct
Incorrect
Unattempted
Question 61 of 66
61. Question
5. Why does the woman say this:
Correct
Incorrect
Unattempted
Question 62 of 66
62. Question
Listening 11 (مهرماه 98)
Why does the man go to see the woman?
Correct
Incorrect
Unattempted
Question 63 of 66
63. Question
2. What does the man imply about his Spanish class?
Correct
Incorrect
Unattempted
Question 64 of 66
64. Question
3. What problem does the man have with his reading assignments? ‘
Correct
Incorrect
Unattempted
Question 65 of 66
65. Question
4. Why does the woman tell the man about her own experience as a student?
Correct
Incorrect
Unattempted
Question 66 of 66
66. Question
5. What recommendations does the woman make about what the man should do?